Valley of the nobles

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Valley of the Nobles

In the three neighboring districts of Assassif, Khokhah and Cheik-Abd-el-Gurnah lie the imposing necropolises of the nobility of the Middle Empire dynasties. As compared to the Pharaohs' tombs, these tombs are extremely simple from the architectural point of view and all feature the same layout: they are preceded by an open-air terrace, followed by a vestibule whose painted walls describe the earthly functions of the owner.

A corridor then leads to an alcove which very often contains the statue of the dead person, sometimes together with his wife of relations. The subjects illustrated in these tombs are characteriz ed by an extraordinary freshness, vitality and realism and provide accurate, valuable evidence of what court life was like in ancient Egypt. The most frequent topics were funeral banquets, with music and dancing, farm work, craftsmanship and daily life in general.

  • Sennefer
  • Rakh-Mara
  • Usirat
  • Kha-Emhat-Mahu
  • Ramose
  • Neferhabef
  • Nakht
  • Menna
  • Nebamon
  • Kiki
  • Kheruef-Senaa
  • Tomb of Kiki
  • The tomb of kiki, the "Royal Administrator", was avandoned for a long time, before being reduced to a stable. It is characterized by lively illustrations in bright colours. An entire wall was destined to illustrate the scenes of the journey of the corpse to Abidos. In fact, the Egyptians were supposed to make at least one pilgrimage in their lifetime to the temple of this holy city, dedicated to the worship of Osiris.

    In fact, religious Egyptians aspired to having a funeral chapel or at least a commemorative stele in this sanctuary, where Osiris's head is said to be kept.

    Tomb of Keruef Senaa

    Keruef Senaa was the "Administrator of the Great Royal Bride", that is Tiyi, Syrian princess famous for her beauty and dearly beloved wife of Amon-Ofis III and mother of Akhen-Aton, the heretic Pharaoh. The tomb that the Administrator had built is large but remained incomplete; it is worth mentioning the west part of the courtyard, where the celebration of a jubilee (heb-sed) of Amon-Ofis III is commemorated.

    Tomb of Nakht

    Typical tomb dating back to the era of the XVIII Dynasty, it is one of the best preserved ones in the entire necropolis. The owner was a scribe and astronomist of Amon at the time of Thot-Mosis IV, whereas the wife was a singer of Amon. At the time of the heresy of Akhen-Aton, the name of Amon was systematically removed from all engravings.

    The tomb looks like a classic hypogeum and the precise decoration only occupies the transversal vestibule.

    Tomb of Rakh-Mara

    This tomb, a fine example of Theban civil tombs at the time of the XVIII Dynasty, belonged to Rakh-Mara, Vice roy and Governor of Thebes and Vizier under Amon-Ofis II and Akhen-Aton. Both the vestibule and the chapel are decorated and the paintings are very interesting because they illustrate what must have been the relationships between Egypt and other countries at the time. The most lively scenes depict foreigners bearing offerings:

    envoys from Punt (Somalians) carrying ebony, ivory and ostrich feathers; messengers from Keft, maybe Crete, with curly hair and long plaits on their chests; negroes from Kush, dressed in panther skin, carrying a jaguar, a giraffe and monkeys and envoys from Ratenu (Syrians and Assyrians) leading two horses, a bear and an elephant.

    Tomb of Menna

    The owner of this tomb was menna, Cadastre Scribe under Thot-Mosis IV, who utilized a previous tomb, enlarging it. The scenes depicted are considered some of the most elegant of the entire necropolis on account of their liveliness; they illustrate hunting and agriculture.

    Tomb of Sennefer

    A flight of 43 steps cut into the rock descends into the tomb of Sennefer, Prince of the Southern Town and Administrator of granaries and the cattle of Amon under Amon-Ofis II. It is also called "tomb of the vine" because the anonymous artist painted a beautiful pergola of black grapes on the ceiling vault.

    Tomb of Ramose

    Ramose was Governor of Thebes and Vizier under Amon-Ofis III and then under Akhen-Aton. This magnificently sculpted tomb was never completed; having commenced construction, Ramose had to leave it incomplete to build another one in the new capital of the heretic Pharaoh, Akhet-Aton, now known as Tell el Amarna.

    Tomb of Neberhabef

    The tomb of Neberhabef, Frist Prophet of the Royal K under Seti I, is decorated in the sumptuous style of the XIX Dynasty.

    Tomb of Usirat

    Usirat, Royal Scribe under Amon-Ofis II, had this tomb built; its paintings are extraordinarily well preserved. It features the famous scene of the barber shaving his clients in a garden.

    Tomb of Khaemat

    Khaemat, known as Mahu, was the Royal Scribe and Granary Inspector of Upper and Lower Egypt under Amon-Ofis III. His tomb, decorated with refined basreliefs, is to be found at the bottom of a courtyard onto which other tombs of the same period face. In the alcove of the burial chamber, deeply carved into the rock one can admire six statues of the dead man and his relations, divided into three groups.

    Tomb of Nebamon-Ipuky

    This tomb was prepared for two sculptors, both active under Amon-Ofis III and Amon-Ofis IV: the former, Nebamon, was chief Sculptor of the Maestro of the two Egypt's whereas Ipuky was Maestro of the two Egypt's. Also known as the tomb of the engravers, it is of great interest as its decoration shows us how craftsmen worked in ancient Egypt. 

    A few kilometers to the south of Cheik-Abd-el-Gurnah lies the valley known nowadays as Deir el-Medina, meaning "city convent" because once upon a time it was inhabited by the Copts of Thebaid. One can see the ruins of the village built at the time of Amon-Ofis I and inhabited by the workers who built and decorated the royal tombs of Thebes.

    Activities in this valley lasted five centuries, from 1550 to 1000 B.C. and involved stone-cutters, paining by means of a path that passed over the steep hills around Deir el-Bahari. They left their children and women, who worked in the wheat and barley fields, at home. The workers toiled an eight-hour day for nine consecutive days and the tenth day of rest was assigned to the decoration of their own tombs. The teams of these known as the "Servants of Truth Square", were directed by various superintendents and were divided into two groups depending on whether they worked on the right or left walls.

    As workmen on the royal tombs, these craftsmen were considered the "holders of secrets" and therefore made to dwell in a village surrounded by walls. Workmen's houses were small and simple; built alongside each other in dried brick, their interiors were white-washed. Generally speaking, they consisted of a tiny entrance, a reception hall a second room and a kitchen. Sometimes, but not often, they had a canteen and terrace. Nothing has remained of a probable decoration. On the west slope of the valley lies the necropolis. The tombs all consisted of a chapel and a small painted basement.

    • Ipuy
    • Sennedjen
    • Inherkha
  • Tomb of Ipuy
  • A sculptor under Ramses II, Inpy had his tomb decorated with unusual, curious scenes: even though the style is rather brusque, its wealth of detail makes it one of the best-known tombs of the necropolis. One just had to mention the scene of the oculist putting drops in a patient's eyes.

    Tomb of Sennedjen

    Sennedjen was a "Servant in Truth Square" and official of the necropolis at the time of the XIX Dynasty; perhaps, on account of the liveliness and freshness of its decoration, it is the most beautiful tomb of the necropolis. The main room of the tomb is more or less intact and is all that remains of the sepulchre; all the furniture contained therein is now on display at Cairo Museum.

    Tomb of Inherka

    During the reigns of Ramses III and Ramses IV, Inherka filled the office of "Deputy Master of the two Egypt's in Truth Square": that is, he was head of a team entrusted with coordinating the work of workmen placed under him. He had two tombs built at the same time, but only the one furthest downstream and closest to the village is decorated in a lively, imaginative fashion.

     

     

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